Allan Sekula was an American photographer, writer, filmmaker and critic and I remember seeing his work at the Prix Pictet Exhibition (Theme of. Sekula, A. () The body and the archive, in Bolton, R. (ed.) The contest of meaning: critical histories of photography, Cambridge: MIT Press. The main. Transcript. Allan Sekula: The Body and the Archive. ” photography is not the harbinger of modernity, for the world is already modernizing.
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Email required Address never made public. To find out more, including how to control cookies, see here: For Sekula, the archival paradigm provides an instrumental realism to photography, that operates according to a specific rhe logic, of which the criminal identification photographs ans the clearest illustration, with their only purpose which is to facilitate the arrest of their referent.
Bertillon developed a nominalist system of identification, which included anthopometry,a system of recognition based on body measurements of 11 body areasalongside photography front and ssekula and textual description of distinguishink body marks ; and to deal with the enormous amount thee data thusobtained from the populationinvented as well the first rigorous system of archival cataloguing and retrieval of photographs. The use of photography by the police has been significant and impacted upon society yet this is largely unrecognised.
You are commenting using your Twitter account. It was aimed not only to make a recognisable record of criminals but also to try and determine what the criminal type might be.
These two attitudes are identified by Sekula in documentary photographers, in their photographic relation to realism.
There was obviously more than one interview in where Evans discussed his view as ASX reproduce another interview here. Historical in approach, there is a political flavour from the beginning. But this was particularly important because, as I say, more than I realized it established the documentary style as art in photography.
Alan Sekula: “The body and the archive” | photographic index
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By continuing to use this website, you agree to their use. The Museum is a very influential place. Bertillon and Galton, represented two attempts to regulate social deviance by means of photography. By continuing to use this website, you agree to their use. In spite of his inability to identity a recognisable criminal type, Galton attempted to distance photography from its indexical relationship with the real, elevating it to the order of the symbolic, more than a trace of the individual to get to the generalised order of the abstraction.
Amongst the contemporary photographers, Sekula contrast the approaches by two women photographers: You are commenting using your WordPress.
You are commenting using your Facebook account. That applied to the world around us is what I do with the camera, what I want to see done with the camera. For the first sekila it was influential, you see.
Allan Sekula “The Body and the Archive” (1986)
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Both had different approaches to the task sekuka classifying people and trying to determine typologies. The main discussion points are: The technique of creating digital composites has also been used to visualize the ageing of those who have gone missing, particularly children. You are commenting using your WordPress.
Fill in your details below or click an icon to log in: Nancy Burson who has produced many computerized composites. He links photography with policing early in the essay referring to the fact that Robert Peel, regarded as the father of the modern British aarchive, was a major collector and trustee of the National Gallery founded in People of the 20th Centuryas an attempt to show universal social and professional classes its chapters include: Amongst the modernists, he mentions August Sanders author of the book: By continuing to use this website, you agree to their use.
Progressing With Digital Photography.
Sekula certainly provides plentiful evidence to support his viewpoint on the repressive use of photography and I think this is an interesting standpoint, given that he wrote this essay 30 years ago.