Dear every screenwriter/filmmaker, read William Goldman’s screenplay for Butch Cassidy and the Sundance Kid [pdf]. We also recommend you to listen audio. BUTCH CASSIDY AND THE SUNDANCE KID () Screenplay by William Goldman Directed by George Roy Hill. Often listed as a “must read” for. Oscar-winning screenwriter and Hollywood wise man William Goldman, who won Academy Awards for Butch Cassidy and the Sundance Kid.
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Let’s take a look at you. Don’t tell me how to rob a bank.
Butch Cassidy and the Sundance Kid (1969) Movie Script
Jefe, llega el ejrcito. But you’re not frightened. We don’t want to let them get away with this. Uh, that’s a hard one. We’re serious about this.
Butch Cassidy and the Sundance Kid: Screenplay
That once you’d get here on time. Butch and Sundance finally elude their pursuers by jumping from a cliff into a river far below. Well, we’ve gone straight.
What the hell else is there to do? You don’t have to mean it or anything. I’ve got morons on my team. They’d drop the charges against us, we’d fight till the war is over.
You’re a good teacher. I will if you will. Rules in a knife fight?
Top Screenplays by William Goldman — Screenplay Lists
Well, you couldn’t have picked a more out of the way place in all of Bolivia, I’ll tell you that. Harriman himself give me this job. Could you do that? You know the money’s in there. You know who we are? Just one clear shot When Gutch was a kid, I always thought I would grow up to be a hero.
A boy recognizes the mules’ brand and alerts the local police, leading to a gunfight with the outlaws. Who am I, Smith or Jones? Butch and Sundance steal a payroll and the mules carrying it, and arrive in a small town. What if they don’t follow the horse? Well, just so we come out scrsenplay. That’s what you said about Sweetface. Silver mines, gold mines, tin mines. Hey, you realize you’re driving me crazy staring out the window like that?
You wouldn’t believe what they’re finding in the ground down there. Screenplay by William Goldman.
Goldman rewrote the script, “didn’t change it more than a few pages, and subsequently found that every studio wanted it. Don’t sugarcoat it like that, Kid. You’re after the money, and the money’s in here. Give me credit, Mr. You know that, Butch? Well, now, Butch, you’ve got to have more respect for me than skndance think I’d fall for a stunt like that.
You really think so?
And there they go. Screejplay going, teacher lady. You may be the biggest thing to hit this area, but you’re still two-bit outlaws.
He’s strictly an Oklahoma man. Your best don’t include getting yourself killed. That’s exactly why we have got to hurry. One is bad farewell. I’m sorry, I’m getting mean in my old age. William Goldman talks about screenwriting and his own past, another brilliant interview with one of our heroes.
In spite of being a gang leader, the character appears to be very likeable and friendly, using little violence: I’m trying to raise a posse here.